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- Die Toten Hosen is a German punk band from D. The band's name literally means 'The Dead Pants/Trousers'.
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- Discography of Die Toten Hosen complete:
Search the history of over 498 billion pages on the Internet. Die Toten Hosen NEVER MIND THE HOSEN HERE
Die Toten Hosen - Wikipedia, the free encyclopedia. Die Toten Hosen. Background information. Also known as. Die Flinger Domspatzen, Die Gewissen Extras, Die Pebbles, Die Roten Rosen, The Evil Kids, Gebr.
Scratchers, Little Pepito And The Swinging Pesetas, Ricky Curl And The Standing Ovations, Tango Bros., Tangobr. The band's name literally means . Their name can figuratively be translated as . All members except one are German, though Campino's mother, Jenny, was English. Drummer Vom comes from England.
He joined in 1. 99. W. The drummer until 1. Trini Trimpop, who became the band's manager when W. Its founder members were Campino and Andreas von Holst, both from local punk band ZK, with Andreas Meurer, Michael Breitkopf, Trini Trimpop and Walter November. At their first concert at the Bremer Schlachthof over Easter 1. The band released their first album titled Opel- Gang in early 1. Totenkopf (skull).
In July 1. 98. 3, the band signed to EMI, who financed a video for Eisgek. It depicts a chaotic wedding ceremony in a small Bavarian church, with Kurt Raab playing an alcoholic priest and Marianne S. After the filming the congregation called for the church to be reconsecrated. German public television refused to screen the video for several years for fear of offending churchgoers. EMI were displeased with the band's high travel costs and by Norbert H.
Heino successfully obtained a court order to cease and desist. Die Toten Hosen left EMI and signed to Virgin Records. Their second album Unter Falscher Flagge (Under False Colours), was released in 1. The title explained the front cover of the LP, which carried a picture of the band members dressed as pirates aboard a ship. The original back cover featured the skeleton of a dog sitting in front of a gramophone, a caricature of the His Master's Voice artwork used by EMI. Legal action by EMI prompted the album cover to be changed to the skeleton of an eagle, which, along with the Jolly Roger, became a band logo. In Spring 1. 98. 5, the band toured France for the Goethe Institute.
In late 1. 98. 5, Trini Trimpop moved from drumming for the band into their management, where he worked until 1. Jakob Keusen briefly replaced him as the band's drummer before Wolfgang Rohde (W. Along with Herbert Gr. The Damenwahl tour was sponsored by the northern German condom manufacturer Fromms, who arranged for free samples to be scattered amongst the crowd. The album contains rock versions of German 1. The name and cover art of the record are a parody of the LP Never Mind the Bollocks, Here.
It charted in the German and Austrian Top 3. Recognition and early success. Bernd Schadewald produced a German theatre version of the book, in which the band performed as actors and musicians. Hier kommt Alex (Here comes Alex) was later re- recorded in an unplugged version in 2. Beethoven's Moonlight Sonata. This album is considered the band's commercial breakthrough.
Much of the album was written by Die Toten Hosen for Bernd Schadewald. For half a year the band played on stage at the Kammerspiele Bad Godesberg theatre in Bonn, alongside Ralf Richter, the play's lead actor. In September of the same year, Die Toten Hosen performed at the Lituanika Festival in Vilnius and Kaunas, Lithuania. They were chosen by the jury as the best band of the event. The band released 3 Akkorde f. In 1. 99. 0 the Toten Hosen were invited to attend the New Music Seminar in New York.
That summer the band travelled to Italy to report on the FIFA World Cup for various newspapers and radio stations. The double album Kreuzzug ins Gl. Each track featured at least one member of the original band that had recorded it. Several songs were recorded in Rio de Janeiro with Great Train Robber. Ronald Biggs. The album also marked the beginning of the band's collaboration with T. V. Smith, songwriter and lead singer of The Adverts, that continues to the present day.
The band's 1. 99. Menschen, Tiere, Sensationen (People, Animals, Sensations) tour included concerts in Germany, Austria, Switzerland, Denmark, Great Britain, Spain, France and a their first ever dates in Argentina. The proceeds of this song were donated to an anti- racist charity campaign in D. The right- wing Republikaner party failed in its attempt to have the song banned for defamation and thereby unintentionally contributed to the success of the single. The song grossed half a million Deutsche Mark.!
Its songs express opinions on consumerism, advertisement and right- wing extremism. In the summer of 1. Die Toten Hosen performed as the supporting act for U2 on their Zoo TV tour in Germany, with audiences of over 5. The video to the song Kauf MICH!
On the cover the members of the band are naked, portraying pretentious millionaires from the music industry surrounded by nude women. An international version of the best- of album was released in 1. Love, Peace & Money. For a period, Die Toten Hosen had three albums in the German charts at the same time. In 1. 99. 4 the band was on the road for almost the entire year in Germany and neighbouring countries.
In November they gave four concerts in the USA and in Canada as support act for Green Day. Starting in April 1.
Toten Hosen got their own radio program on Fritz radio in Berlin, called Tausend Takte Tanzmusik (. The show aired every Sunday from 7 to 8 pm for a year. Its songs deal with faith and religion. The album went platinum, their third record to do so, after Kauf MICH! The Toten Hosen and Iggy Pop were a supporting act at the Ramones farewell concert in the River- Plate- Stadion of Buenos Aires in front of 7.
An extended tour followed under the slogan . Furthermore, they performed at the Gurtenfestival, the Forestglade Festival, the Berlin Waldb. In May 1. 99. 6 they headlined the Rock am Ring festival. In the same year the band released their second live album Im Auftrag des Herrn (on the Lord's behalf).
Their 1. 00. 0th concert was on 2. June 1. 99. 7 in the D.
The death of Dutch girl Rieke Lax at the concert prompted the band to release the song . Campino was twice hospitalised after concerts in Byron Bay and Geelong in Australia.
Die Toten Hosen have collaborated with numerous other musicians (like Bad Religion, AC/DC, U2, Rolling Stones); they are also one of the few German punk bands popular outside of Germany, with a large following in South America, Australia and Eastern Europe). The band's members are passionate fans of their local football team, Fortuna D. When a goal is scored at the club's ground, the Esprit Arena, the chorus of the band's song . The band released a football- themed song named . The director, famous actor Klaus Maria Brandauer, was criticised for the play's unadventurous staging, but Campino was cheered by the audience.
Artist Andreas Gursky produced Tote Hosen, a blown up photograph of the crowd from a Die Toten Hosen concert, depicting youths excitedly cheering for the band, many wearing the red Hosen shirt. It is in the collection of the Museum of Modern Art. Faith No More bassist Billy Gould wore a Toten Hosen tee shirt on the cover of their greatest hits album, This Is It: The Best of Faith No More.
Faith No More have covered the Toten Hosen song Hofgarten in live shows. German rock group Samsas Traum covered .
Lead singer Alexander Kaschte changes the final lyric to ! I am Alex!) as a wry joke. British punk band UK Subs recorded an English- language cover of the song on their 1. Normal Service Resumed. In 2. 01. 0, the band played several dates in Central Asia and became the first foreign rock band to perform in the former Soviet republic of Tajikistan since 1. The band was criticised for accepting 6. A special edition includes a bonus CD with cover versions of songs that influenced the band.
On the 2. 6 April 2. Wolfgang Rohde had died after suffering from cancer. At the beginning of their musical career most of them were still at school. Their first album was recorded in a studio rented by the hour. Die Toten Hosen were mainly influenced by punk bands from the 1. On occasion they have played songs by the Beatles and the Rolling Stones. Some of the band's songs have been described as .
They can be seen as pioneers of . In some of their songs Die Toten Hosen experiment with strings or wind instruments. A few songs have elements that are lifted from jazz (e. Warum werde ich nicht satt), reggae (Zehn kleine J. Other influences on the music of Die Toten Hosen include hardcore punk, punk blues, heavy metal, thrash metal, and hard rock.
The focus of the band's music has gradually shifted from funny and nonsensical to serious. The songs from the band's first LP were mostly about having fun, but by the end of the 1. Discography. They turned down a request from Germany's SPD (Social Democratic Party) to write a song for their European election campaign in 1. They performed together with Herbert Gr. In 1. 99. 5 they supported Greenpeace, IPPNW, Aktion Atomteststop (an initiative for a nuclear test ban), the BUND (German Friends of the Earth chapter) and they were featured on the track Tout Pour Sauver L. In summer 1. 99. 5, the band staged an ice hockey game called Powerplay des Wahnsinns (Power- play of insanity), playing in a team alongside professional players from D.
The match took place in the stadium at the Brehmstrasse in D. Their team Knochenbrecher D.
In 1. 99. 6 they slipped into women's clothing, silk stockings and high heels and took part in the D. At the end of the 1. DM towards signing the player Anthony Baffoe. In 2. 00. 2, the band signed an advertising contract with the Diebels Brewery, and donated the proceeds to the club's youth side, who wear the band's skull emblem on their shirts. Retrieved 2. 2 June 2. Retrieved 1. 5 April 2. Kiepenheuer & Witsch, K.
Mai 1. 98. 5^Bertram Job: Die Toten Hosen erz. Paul Zsolnay Verlag, Wien 1. ISBN 3- 5. 52- 0. Kiepenheuer & Witsch, K.
Paul Zsolnay Verlag, Wien 1. ISBN 3- 5. 52- 0. Fladt bei RBB^Bertram Job: Die Toten Hosen erz. Paul Zsolnay Verlag, Wien 1. ISBN 3- 5. 52- 0.
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